Full text from
The Guardian's Review:
"From the ready pen of local playwright William Bivins comes a witty dystopic thriller too good not to be (essentially) true: In the USA's not-too-distant future, after "the Great Downturn," there's 80% unemployment, the population lives by scavenging, despair is in the water and air, and there are no more dogs (those little four-legged ambassadors of hope). But there are still one or two job openings in the ultra-powerful, totemic, life-giving corporate universe of The Concern. A search narrows the candidates down to six (types played with palpable soul by Kate Jones, Asher Lyons, Gabi Patacsil, Eric Reid, Dan Williams, and Laura Zimmerman). They're flown to an exclusive island, paradisial in its accommodations, totalitarian in its panoptic surveillance and haughty obscurantism. Greeted by icy hot Mrs. Radcliffe (Jessica Cortese) and her deliriously agreeable man-servant Baylian (a joyously loopy Even Winchester)—both nattily futuristic in coordinated turquoise outfits—the candidates learn there are no rules but two over the course of the evaluation, and no clue to what's being evaluated. The contest begins and, in PianoFight's high-spirited low-budget production, it makes no difference how familiar the themes or scenario. Adeptly suggesting classics new and hoary, from "Survivor" and "The Apprentice" to "The Most Dangerous Game," "The Position" never feels merely derivative, let alone dull or predictable. It's inspired, rebellious lovemaking with our doom-clouded moment, engrossingly directed by PianoFight's Christy Crowley. (Avila)"